The downpour is penetrating the train station’s tarpaper rooftops. Its time-worn stairways are awash, and the platform’s cast-iron columns are standing in water. The personnel do as they have always done, with a kind of stoic calm – simply get out the broom and start sweeping the liquid away. The lavatory attendant Erna is pleased that the flower bed and trees are finally receiving a much-needed drink of water.
Loved and detested, Berlin’s rustically elegant Ostkreuz train station is a higgledy-piggledy series of stopgap measures made permanent, a cobbled-together imposition upon every visitor. Without a single elevator, making do with 1920s technology, it reminds one more of a museum train station than what one would expect of Germany’s busiest light rail junction. A ten year reconstruction phase will see it converted into a single, large station; placed within the context of a 130 year history, almost too much, too soon.
The film bespeaks the loss of atmosphere, individuality and social ties, suggests that there is a difficult path to be taken between the trade-offs of necessary change and the preservation of evolved structures.
It is an attempt to memorialize in poetic images this decrepit and yet so charming train station at Ostkreuz.
TITEL GENRE PRODUCTION LENGTH FORMAT DIRECTING SCRIPT CAMERA EDITING SOUND |
OSTKREUZ DOCUMENTARY, CINEPOEM 2005 – 2007 9 MIN DV, 4:3 LETTERBOX LAURA GEIGER, TOM KRETSCHMER LAURA GEIGER TOM KRETSCHMER LAURA GEIGER, TOM KRETSCHMER PETER NIKOLAI, MARCUS ROSE |
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Source : www.ostkreuzfilm.de/synopsis.html